asher jones & neil barber, aka rhythm code. they have been working together for over 10 years. there productions gain constant support from the likes of sasha, laurent garnier, pete tong, green velvet & the plump djs...with recent releases on rising music & size, and the launch of their own monthly radio shows on etn fm and proton, they now present , what is to be the first in many, releases on baroque.. two slicey dicey slabs of electronic goodness.. wiggly bass & infectious subtle melody.. enjoy!

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

your know you are doing something right when greg wilson comes knocking at your door for some disco edit action. such is the life now for croation nu disco gem ilija rudmen. after a series of releases on labels rong, infant and deep freeze, bearfunk were quick to grab dance disorder and wasted no time in asking their studio neighbours faze action to step up. their synth bass, low slung and sleazy remix, with a dose of their trademark strings hits the spot. this sits snuggly with ilijas original which mixes in real bass and guitar with his analog heavy funk laden grooves.

kicking electro by monotones labelhead larry mccormick aka exzakt.

big with : loco dice, luciano, sis, reboot !!! the release is the last of the masomenos live mix project... and close the serie of 8 eps that were released for this... a sided les 3 petits cochons is a real dancefloor tune, heavy and funky, as in the tale, you can feel the wolf blowing and the little pigs running... on b side, loco is an old - school sound track, deep and moody, with some crazy vocal asking for some bass... b2 , turtle is back, is a dubby re-do of one of the first masomenos production...turtle trip... same mood, heavier groove....slowly but surely the melody gets in your head to mesmerise you...

fresh inspiring minimal techno / techhouse .the a side is for sergio parrado, who offer us, a tech-house track, direct to the dance floor. tanto mini me vuelve maxi is one of those atemporal tracks, with a powerful and groove bass, crispy synths, awesome efx and a melody that twists itself in a surprising way. a long duration track ready for the more demanding dancefloor. on the bside, we meet 2 tracks from the valencian guy oscar barila. the first one is anxiety, an authentic bomb that, with no doubt, we will listen to many of the big ones. the song has a phrenetic rythm, a wrecker groove and psychedelic and mutant synths, that convert the track in a mortal weapon for the peaktime. the second song of the b side is giro tutto, powerful and smart techno in constant evolution. its percusive rythm is adorned with an acid and bubbly synth that unleashes in 2 explosive breaks.

giggle riddim stands out in the bassline scene as one of the biggest tunes of the year. piddy py is a master of the signature northern style with his ghoulish bell tower leads and extra terrestrial bass. combined with giggles wind up kicks that bully dancefloors into submission and the terrifying baby cackles that give the riddim its name, piddys arsenal is unstoppable. utter havoc ensues with every drop. the title tyrack has already played by the likes of toddla t, sinden, herve, hudson mohawke, rustie, drop the lime, plus bassline heavyweights dj q, rossi b & luca and too many more to mention...

young up start and london based enfant terrible l vis 1990 engineers bass fuelled dance music designed to make your ears bleed! a pioneer of his own hyper bass sound, that sonically fuses aspects of dance music that have inspired him over the last 6 years ?garage, electro, b more, ghetto tech and drum & bass, his sound is unmistakable. the majority of the l vis 1990 ep was made on his laptop, on the 8am train commute from brighton to london, and finished off at the stereo mcss studio in brixton. further musical affiliates are sinden, herve, duke dumont, switch et al, as well as math head aka passions ny, philadelphias starkey, and early dubstep pioneer vex d (planet mu), the latter of whom spoke of l vis? change the game as a track that really struck a chord, totally made me think about new ways of doing shit...

2004 classic tracks by lowdown and stanny franssen!! includes voodooamt remix

2001 classic portuguese tech tracks!!

finally this gets a proper release, one of the biggest tracks of summer 2006!

claque musique present their fifth release, which is a technoid gem from hugo (already responsible for the brilliant third 12 inch on the label, entitled born to bop) called strobo revenge. another zany electronic bullet that is destined to cause mayhem on dancefloors worldwide! on the a side, jumping beats, vocal mirages and compressed synths create the groove on the original mix of the title track. a fizzing bassline and echoing whistles enter later on and they give the track a slice of claque musique zaniness. a2, prismatic visual, is a powerful floor filler, which is slightly less crazy then its musical partner. hugo uses dependable percussion, watery synth action and inviting vocals to create this musical treat. on the flip side, carola pisaturo brings us a moody version of strobo revenge that squeezes something else out of those whistles. she employs heads down percussion, vocal shards and smooth synths on her version. portable/bodycode heightens the intensity with a jackin rerub that sends the track in another direction completely. marching beats, acidic synths and hollow bass drops work wonders on abrahams revision

3 quality mixes by mastermind kenny dope gonzales!!

the next installment from the new beyond imprint is with us, featuring two newcomers from the thriving us underground, kapuchon & benny rodriques. the pair bring a magical detroit infused collection of warm, urgent and modern house music into our peripheral vision where its simply hard to ignore … like a well loved vintage drum machine tweaked to perfection, or a dusty old synth rejuvinated, >and again< draws inspiration from the rich synthesised landscapes of classic detroit techno, however adds a totally fresh and modern aesthetic, through its use of precise drum fills and beatifully crafted harmonies. on a more thoughful, soulful tip, >unexpected< unravells itself with smooth chord atmospheres, driving, solid-state percussion and teasing delay fx. the story might be a familar one to those who have their ears firmly pressed to the dancefloor, but for good reason, as these two fine storytellers have crafted a golden moment for the late, late hours. the acidic ride of >potato tomato<, with its pushing sub bass and glistening crescendos is perhaps the toughest cut of the e.p, and delivers the energy where its needed whilst still holding onto that classic, deep-as-dawn chicagotodetroit vibe.

buenos aires cali based label drops release 4! feat brooklyns prime purveyor of cumbia, dancehall, bassline, hip hop & electro on the a, dutch bass heavy explorer sonido del principe on the b.

serious beats sampler volume 9. feat chuckie, norman doray & tristan garner feat errol reid, arno cost and voodoo & serano!!

classic house cuts from the magnificent kerri chandler. >never knew her< and >behold the sun< are two new tracks taken from kerris lp >trionisphere<. >never…< features kerri on lead vocals while the track is a breath of soulful, spiritual feeling and old school >kaoz< sounding bass and instrumentation. >behold..< features kt brooks on vocals and offers up the same impeccably styled production and soulfulness that weve come to expect from kerri. hot

heavy, heavy analogue synths attack from the start and here the layers just keep building - stabs, pads, bass and a melodic string arrangement designed purely to heighten your senses. epic and intense

played by electric indigo !! we kick off the label again with a release from mexican artist, betoko. a member of amnesia resident, mar-ts wow! records (alongside paco osuna, valentino kansyani, & tobi neumann amongst others), his big room tracks have found homes with many leading djs and featured on several high profile compilations. >el hijo de la guayaba< encumbers a jacking percussive with a latin feel vocal and building piano which builds through the whole song with a fat bass. the production on this is awesome, mexican techouse, spread the word here we come

neo-trance theme !!! angels of kindness are seesawing in their fluffy clouds while eavesdropping the new opus - and yes, one can easily call it an opus - of catekk. dunning the sound creeps up (up from the viennese flex club?) through this mundane labyrinth. muse awakened the apocalyptic riders with its kiss and instead of the twilight of gods you are served subtle grooves, which only admit zeus sharp lightning to pass through the thunderclouds of bass. thunderstorm and labyrinth makes, how could it else be? a markus lange remix, who obviously enjoyed remixing this big theme, while following catekks traces in the wind. whos still missing? yes, newbornchristians must be around, when it comes to remixes with the perfect relation between foolishness and intelligence.

amazing piece of lovely & harmonic music! big with tobi neumann, kiki, benno blome, mijk van dijk, martin eyerer, dole&kom... tracks by asem shama (vanguard) and rundfunk3000 (mollono.bass, acker, kombinat 100)

poni hoax poppiest moment comes reshaped by chloe, one of our favourite french producer and djs. she managed to turn the original into a long hypnotic house journey driven by repetitive voice drones and cut ups and a pounding bass. deep, subtly melancholic, cold and warm at the same time, everything we love about chloe is there. on the flip side, principles of geometry exercise their passion for detuned synthetisers on the beautiful juno 106 chords of poni hoaxs paper bride, the opening track of their recent album.

hairy claw follow up the johnny d, akufen, funk d void, agnes, kiki (and many more!) supported release from dan drastic with this, calculus >loosey goosey<. mid-tempo, groove based house at its best, >loosey goosey< is a lurching, sinister cut of the highest order. the remix comes from none other than reboot. currently riding high with his amazing >letters /be tougher< on cadenza as well as amazing remixes for the likes of lemos and warieka on below and connaisseur respectively, reboot has delivered a peak time remix which combines jacking fm bass, loose percussion and the trademark reboot arrangement to brilliant effect.

excellent breakish electro house monster , for fans of azzido da bass s dooms night... killer !!! incl lee mortimer techhouse mix

the debut record of ritmolider kaleidoscope is a traditional studio work with live performance and classic analog sound. being in the era of nu disco and re edits the author has tried to find his own way of making music based on traditional methods of performance. and hes got a beautiful symbiosis of instrumental improvisations and electronic melodiousness. at the begining of the record theres a superb remix by the beat broker - deep, groovy synth disco, highly recomended for dancefloor! the second track is a journey into obscure psychedelic funk with lots of improvisations and atmospheric tunes....a pity so sweet percussions are added so late. b2 tonight at the discotheque will carry you away by the real soviet disco vibe. a beautiful arp solo softly flowing through amazing effects and acoustic drums focused on free played funky basslines. the original version of kaleidoscope is also a very interesting one. a mood of this composition is changed all the time. the first seconds of the track you hear a tender melodic solo which makes you feel calm and relaxed, then you get the groove coming from an agressive arpeggio and dinamic percussion. soon this feeling gets interrupted with a sudden slap bass impromtu playing together with a synthy accompaniment, and it turns into another feeling, and so on... this really reminds of kaleidoscope effect!

an ep the compliments the finer house elements, each cut displaying separate elements that serves it up for house essential mix grooves. a1, state and griswold is funky with a jazzy vibe that expresses a smooth vibe that’s complimented with soul. the elements pair up for a jamming instrumental accented with detroit style keys, kris wadsworth shows his home-style techniques with class for >state and griswold<. b1, keep pushin track, turns out with a squared bass line, coupled with the chords, and some fx that walks this cut to a swingy deep house groove. b2, keep pushin remix by chris carrier hits with a quick released thick beat, that pumps the original jam into a smooth tone of deep chords that slowly warp out with a kind dissonance towards the break down. programmed tracky, the original is pushy enough to keep the floor consistently on the move

the pump ep is a typically genre-bending mixture of pumping, groovy house tracks, exploring the many sides of this highly regardedproducers fruitful repertoire. lead track the pump is a vivacious number that takes a clean, modern house aesthetic as a base and later infuses it with a dirtier, earlier morning vibe, with phoniques playful use of the resplendent chord stabs. its a slow burner indeed, and yet another example of his effortless arrangement talents. fancying a spot of fresh air and a trip into the audio countryside, bike ride is an even more playful journey into the kooky electronic world of phoniques studio outings. solid drums and warm sub bass provide the energy for all manner of pops and tweaks to unfold. its another deeper track but be warned it still has the power to lift a crowd up onto its tip-toes. going down more of a techno route, tooltime completes the package and breaks out the big guns for some serious heads down dancefloor ignition. urgent and tight late night action, not for the faint of heart, the tracks title is too modest - it should really read ‚ peak time

incl remixes by johan bacto (sway, zync), vincent de wit & bas mooy (patterns, audio assault)

the first release on this new label is from gatto fritto who has released records on dissident and electric minds and recently remixed subway on souljazz. the a side hex is a nine minute, mid tempo, atmospheric, bearded disco trip taking in falsetto vocals, straight to video synths, acoustic guitars and the budget, analog death rattle of a vintage siel cruise. the bmside beachy head is a teutontastic tribute to the uks favourite suicide spot. a 3/4 krauty synth builder that spills into layered waves of guitars and unforgiving rocks of heavy analog bass...think klaus schulze and steve reich rolling off a cliff in 1983 datsun cherry.

great dark & atmospheric electro rmxs

gd luxxe from vienna remixed by patrick pulsinger, ectomorph, dmx krew and adult. real electro for real electro lovers. watch out for loops!

played by: nick curly, cassy, prins thomas, raresh, robag wruhme, 2000 and one, agnès and many others !! swedish brandy productions brings you two killer-remixes by atjazz (mantis rec.) of andre zimmas (aka slope) broken beat afro-inspired track m.u.s.i.c. the original track was first released on their turbulence ep (sb010) with featuring acts like clara hill, colin corves and alex barck. atjazz, with his touch and magic, turns this track into strictly nyc pressure, that will do some serious damage across the globe. already played and charted by people like gilles peterson, onsulade (which directly requested the track for his compilation passage on bbe), karizma and opolopo to name a few. on the flipside atjazz delivers his stunning dub-mix, that carries a stripped smoking package of deep bass and dubby chords. so just drop the needle for a second, and you find that both cuts are essential dancefloor material with the purpose of making the crowd groove and move!.

brilliant micro- house/ minimal-tech-house with orchestral pads and a small but mighty helping of funk & dirt. 5 ***** de:bug & raveline!!

supported by richie hawtin, dubfire, format b, hosh, someone else, steve lawler, dj friction and many more.. aus dem umfeld von fortschritt 3000 gibt es wieder ein neues künstlergespann. mark vogler und molle aka mollono.bass von kombinat100 haben zusammen nächte lang im studio gesessen und an neuen tracks geschraubt. dabei entstanden, ist ihr neues live projekt rundfunk3000 was sie nun auf ihrem hauseigenem label acker records mit der >zirtow ep< präsentieren wollen. session ist das wort das sie lieben und so klingt auch ihr neues werk, eine mischung aus house, jazz, techno und allem was spaß macht. zum einsatz kommen instrumente wie hammond-orgel, percussion und saxophone synthies. die a site mit >loop durch raum und zeit< erinnert an vergangene tage und klingt doch sehr aktuell, ich sag nur jazz in the house .... die nummer macht spass, geht nach vorn und wird bestimmt ein highlight auf dem einen oder anderen dance floor in unserem universum. die b site mit dem track >mein bodo< spielt eher irgendwo im tiefsten asien, lässt einen schmunzeln und ist irgendwie funky.

2. teil der popnoname album 12inch vinyl serie auf italic und repräsentiert die club seite von surrounded by weather mit den instrumentalen und tanzbaren stücken perspective und crack und einem neuen mix von the movement. die a-seite perspective ist das herausragende krautige disco stück des albums und bezieht seine energie aus improvisation und tiefe und klingt wie ein morgenspaziergang durch den nassen deutschen wald. das radikale crack ist das strengste stück des albums mit seiner monotonen stroboskophaftigkeit und der harten ekstatischen tanzbarkeit. doch auch hier deutet sich duch die flächen ein hauch von zartheit an. den abschluss der ep bildet the movement im neuen >revolution mix<. der mix beginnt flächig mit vereinzelten gitarren bass sequenzen, der federnde beat unterstützt dabei die dramaturgie des stückes und der gesang verdeutlicht noch einmal den pop- appeal von popnoname. der ideale soundtrack, um das 70er kraut gefühl mit dem 90er techno gefühl zu verbinden und heute neu erstrahlen zu lassen

cobra records continues on the beat techno, with a spanish artist david moleon, an owner of the label moo up, who delivers us tracks techno 2 indeed, including, break, good bass turn, an artist that we shall see evolving on the other labels for the future. killians followup the boss of the label, already produced on labels primate, primevil, yin yang, which remixed the track no control, with a groovy touch, or we reknow its signature, and by adding it some good samples old school. a very good e.p to shake your dancefloors

already the fourth release on the label bazz implant records. this time its an one sided killah! divato & troubleboy strike hard with this track, filled with pounding kicks, bass and a raw uplifting melodie and the vocals are done by no one less than da mouth of madness! the cool vocal edits combined with the phat kicks and bass will make ya rock! prepare for this massive floorfiller! already major support by: deepack, dana, noisecontrollers, vortex, dozer, b-front, the pitcher, dallucia, coyote...

already supported the likes of richard earnshaw, andre harris, jevne and jask. share it now gets a total re work from dance maestro jay j. he kicks his mixes into overdrive, creating a set of jumpy, bass driven floor killers that pack a relentless groove.

shafunkers are the manchester based production duo alex mcculloch and austin moore. after a random meeting at salford university in 1997, they quickly realised a shared passion for music production and they began their musical partnership by creating drum n bass and breakbeat tunes under the guise of sinewave. both classically trained musicians with influences ranging from jazz to the beatles, the duos mutual love of dance music eventually led to them to start producing house music together. tick tock is no exception to their remarkable quality, in fact alex has described it as some of their hottest work to date. a catchy, melodic hook floats effortlessly over quirky electronic percussion. remixed by danny freakazoid and ben hoo.

nice price deal !!! amiel is a suicide blonde pop sensation from downunder. you will remember the beautiful girl and her mesmerizing voice from puretones >addicted to bass< – the massive drum n bass crossover hit that even reached the top of uk charts in 2002. her first solo album >audio out< archieved gold status in australia and amiel was nominated for five aria awards including best femal artist, single of the year and breakthrough artist of the year. >be your girl< is track from her second studio album >these ties< topping the dance charts with a simple formular: a sweet an irresistible voice combined with pumping beats.

for our third release apple pips is proud to present a relative newcomer from san francisco ? jus wan. out of the countless demos and mp3s we get sent, jus wan instantly stood out with his blend of 2 step rhythms, techno soul and deep subs?appleblim cut both tracks and got a great reception to them, so much that he included action potential on his dubstep allstars vol.6 mix cd for scene-leaders tempa? action potential ? deep as you like?relentless rolling riddim, berlin techno style delayed stabs and a solid foundation of bass make this a fresh take on the sound? affletic ? switching the tempo to 140bpm and twisting the same sounds into ever more entrancing shapes t++ shows his love of drumfunk producers such as paradox in a new exciting context

ultraphat miami bass electro classic !!!

adam beyer continues his strive onwards and upwards with this new 2 track killer from fellow swede - hardcell. both tracks are devastating with the a side - only being a bass heavy driving bomb that peaks and builds effortlessly. on the flip we have neo acid whcih as the title suggests has a rather menacing dirty acidic lead pattern underpinned by slamming drums. another winner from one of the scenes best labels.!

first release on top billins nightrunners (nr001) series, which is dedicated to original production, not only remixes. sharkslayer is the side project for sir nenis & dj pushups of the top billin establishment. dedicated for the more tech and house -sounds of club music, their productions will slay dancefloors anywhere. as being high on dubstep, ghettohouse and tech-house, not to mention the love for soul, boogie & dancehall, they create a unique blend of club music thats the sound of now. already picked up for remix duties for such labels as mad decent, trouble & bass and plant music (run by the legendary strecth armstrong) and causing a stir at blogs and playlisting and club play from such top djs diplo, sinden and fake blood, theyre set to release their debut 12 on top billin...

hidden recordings first vinyl release after two years with only digital. the releases are called hidden sessions and will be a series of 4 track records with music from the digital releases over the past two years. the first record includes tracks from argentinas gustavo lamas, who received a rave review in time out new york and not to be out-done was the remix by deepak and dieter krause. the 3rd and 4th tracks come from an earlier release from deepak and dieter off their >shes got soul< ep. hades is a darker, high energy minimal track which was received nicely in europe reaching no16 on top downloads for kompakt-mp3. >blow< has been labeled the duos signature track with warm deep bass, soft pads, guitar riffs and a strong psychedelic influence. the track also received strong worldwide recognition as it was licensed to uk label fourtwentys music02 mix compilation completed by james mowbray

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd

rmxs by clouded vision & noob ! i met brodi early last year, he had a track called >bad runner< that i had been playing incessantly. it leaked onto blog sites months before its release on mental groove in october 2007. it found its way into erols box among many others very early on and the hot fuss began. as a dj, despite hailing from france (reims, lille), unexpectedly brodis taste is broad. if your expecting banging gnarly electro bombs… unlucky. he can play anything from noisy techno, bass heavy house through to more melodic minimal. plus, if you think you spend more time searching the net for new tunes than anyone else, think again. this guy is committed and now his second, and even better ep is here and he has saved it just for turbo

formed in 1997 by philipp albrecht (guitar), rene albrecht (drums) and christoph lenz (bass) - singer christian erne entered the band in 2000. since he left plenty enuff in 2007 philipp albrecht and jessica sigfalk took the micro power. plenty enuff have been experimenting with sounds from the sixties for almost ten years. starting off with a traditional type of ska they soon switched to a dark blend of roots reggae. their large amount of shows already brought them to the jazz festival of montreux this year.